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An Appetite for Miracles Page 3
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Page 3
I want to tell her,
I don’t care.
When Mrs. Choi
hands me back
a failed test,
I want to tell her,
I don’t care.
When Mr. Rodriguez
asks me
to stay after school,
I want to scream,
I don’t care.
I don’t care.
I don’t care.
I don’t.
But then I think about
that five-minute phone call.
Mom’s questions.
My answers.
I have to give her answers.
So I take the test
and fix my mistakes.
And I meet Mr. Rodriguez
after school
to practice
balancing chemical equations,
pretending
the elements
are all the things
outside of my control.
My life
in numbers and letters
stacked wrong,
so close to
combustible.
Until Mr. Rodriguez
moves a symbol
here,
a symbol
there,
showing me
how to
make things right.
“You’re getting it,”
he says.
And for a split
second,
I wish
I cared.
That I could get it.
That I could make things right.
That it would matter.
Safe
For some reason
Manny chooses
to brave
the cafeteria
every day for lunch.
It is a cesspool,
a lion’s den,
the ninth circle of hell.
But he says
they have good
nachos.
I wouldn’t know.
I brown-bag it:
a plain cheese quesadilla
burn marks
from where I leave it
too long
on the comal
while I brush my teeth.
After I transferred,
I followed Manny
that first day
to the back of the line,
the smell of
canned cheese
turning
my stomach,
as I looked
out
on a pack of wolves.
But where I saw
snarls and
glinting canines
ready to swallow
me whole,
Manny saw
mouths
primed for laughter;
an expectant audience.
On Sundays,
he’s always trying to
steal the show
with drum solos,
and flailing arms.
At school,
he is the show,
telling
the kinds of jokes
only teachers find funny
and then impersonating
those teachers behind their backs
while the other students
laugh hysterically,
phones out
catching
every exaggerated gesture
and quintessential catchphrase.
While he has them
rolling,
I roll out
to a shady spot
in the courtyard
to eat my quesadilla
in peace.
All day
I lug
my guitar
around
on my back,
waiting for the
thirty minutes at lunch
when I can
work out
a new chord
progression,
toy with
a new melody
that’s been
stuck
in my head
for days.
The first day,
people pointed;
some laughed.
The next day,
they took
a closer look
at my beat-up
guitar,
face scratched,
and said,
“What happened?
Did you drop it
in the Rio Grande?”
Something the kids
at my old school
never would have said
(instead, they would have
clowned on me
for never even having
been to Mexico;
for mangling the language
como un pocho).
But when they took
my mom,
my school changed too.
Everything changed.
Except
this.
My callused fingers
gripping
the neck of my guitar,
the tinny sounds,
vibrations
waking up
my skin.
Without it,
I’m sleepwalking,
but
inside
those sounds,
I’m safe.
Masks
The flea market
was packed
with tables of ceramics
and bootleg DVDs;
winter coats with the security tags still on them,
old tools and textiles and tajin-covered fruit—
plastic bags full of it
that Mom wouldn’t
let me hold
because my hands
were too small.
Even though
all they wanted to do
was touch things.
The soft cobijas
that I pretended
were real tiger fur.
The pocketknives
in leather holders
with Bible verses
embossed on the side.
The squishy conchas
stacked high in clear plastic bags.
My mother’s hand.
I circled her
like a fly
and when she swatted
me away
I disappeared down
the aisles,
each row like
the entrance to its own
little world.
Worlds where I could be
Wolverine running from the Texas Rangers
or Zorro avenging my wife’s murder
or a gun-slinging outlaw robbing a bank.
Masks I tried on
over and over and over again
until Señor Velasco
snatched me up by the shirt
for running inside
and I looked behind him
and saw a giant wall
of tiny guitars.
Perfect
for my small hands.
And it was like they knew,
reaching before I could
even ask permission.
It was like they knew
we’d fit.
Señor Velasco noticed it too,
handing me the instrument.
He adjusted my fingers,
showing me how
to hold down the strings.
How to make them sing
with a single strum.
When Mom finally found me
she was screaming and crying and thanking God
that I was safe.
As she dragged me
through the parking lot
and back to the car
I screamed and cried
just as loud.
And I didn’t stop.
I cried all the way home.
I cried in between bites of Hamburger Helper.
I cried in the bath while Mo
m tried to keep the shampoo out of my eyes.
I cried through bedtime prayers
before screaming into my pillow
after she’d closed the door.
I cried
for the world
I finally belonged in;
for the mask
that finally fit.
The One
The next day
Mom was late
and I sat on the steps
with my first grade
teacher Ms. Pham
while the parking
lot emptied
and the sun started
to sink behind
the clouds.
When she finally
pulled up
her makeup was smudged,
her eyes dark.
She kissed me
without a word
and that’s when
I noticed the bruise,
purple
and
angry
like something painted on.
Another mask.
Except when she tried to smile
and it didn’t quite reach
her eyes. When she winced
I knew
it was real.
We drove in silence
until the car slowed
in the flea market parking lot.
Just as the stall owners
were closing their doors.
We ran,
Mom holding my hand
the whole way
until we reached
Señor Velasco’s stall.
He looked up,
surprised to see us.
Then Mom finally spoke.
“Which one, mijo?”
She dug in her purse
for her wallet,
pulling out
a clump of wadded bills.
Señor Velasco
looked down at me.
Then he looked at Mom.
He closed her hand,
pushing the money away,
before reaching
for one of the little guitars,
and saying, “I know just the one.”
Armor
Mr. Rodriguez
is waiting for me
after school.
“Glad you could
make it.” He smiles
and I almost
let it disarm me.
But then I remember
where I am,
tugging
my armor
tight.
“Thanks for helping me,”
I say, because I know
what adults want to hear.
I hand over my homework
and he starts to scribble,
his red pen
crisscrossing
until the whole thing
is drenched.
A massacre of mistakes.
He looks up at me,
searching.
He sighs. “We’ve gone
over these, Raúl.
You’ve been coming in
for tutorials
for weeks. A few days ago
you were really
making progress.”
I shrug, not meeting his eyes.
“Is something else going on?”
he asks,
the words
like an arrow
aimed straight
for the only
chink in my armor.
Something, I think.
More like
everything.
And nothing.
My head
both
empty and
bursting at the seams.
“I just don’t get it,”
I say,
because it’s true.
“You know,” he says,
his voice changing,
shrinking,
“when I was your age
my father went to prison.
Armed robbery.
He was locked up
for ten years.”
He kneads his hands,
like the memories
still make him
cold.
“Missed
my high school graduation
and my college graduation
and the birth of my first son.”
“I’m sorry,” I say.
“I’m not telling you
for your sympathy, Raúl.
I’m telling you
because I know.
I know how hard it is
to focus on school,
to think about anything
else.”
I just nod.
“But all of this is temporary.”
He turns my homework
facedown on his desk.
“And one day
your mother
is going to come home.”
He pauses,
waiting for me
to meet his eyes.
“Who will you be
when that happens?”
Danna
Third Period
Six months ago,
when the clock ticked
to 12:50
my heart would leap
into
my
throat.
Because I knew
Yeong Kim,
captain
of the basketball team,
DECA president,
and the only boy
I have ever loved
would be
sitting
in the desk
right next to me.
Elbow partners.
Soul mates.
One day,
I was going to
show him
one
of my poems.
And not the ones
Mrs. Maldonado
makes us write
to show
we understand
where to break
the line,
where to splice
the comma.
But the ones I write
to show
I don’t understand
a thing.
Except, maybe
how to take
ugly things and
make them pretty,
how to scream
with a single word.
How to paint
the face
of a boy
in em dashes
and semicolons
who
doesn’t even know
I exist
outside the walls
of this classroom.
In the minutes and seconds and hours
between school days, between class periods.
I thought about taking the poem
and tucking it
under his notebook,
slipping it into his locker,
maybe even
dropping
it in his backpack.
I imagined him finding it there,
reading it,
that goofy smile
on his face,
knowing
from the first
line
that it was my pen,
my bleeding heart on the page.
Me.
But that was six months ago.
Before Mrs. Maldonado
gave me a pass to the office.
Before I saw Papi
still in his coveralls from work
because Mami was
already at the hospital.
Before I saw Grandpa
held
down
by straps,
shivering and
scared.
Before the doctor said the word
dementia.
That was six months ago.
And now I sit
in the far corner
of the room,
tensing
ever
y time
the door opens,
every time
one of the aides
hands Mrs. Maldonado
a note,
every time
she scans
the room,
her eyes
almost
landing
like an X
on my face.
Now my elbow partner is Naomi Duncan,
who tries hard
to make me laugh.
And Yeong Kim
asked
another girl
to homecoming.
A Haiku about Math
Hell is a math class.
We’re always solving for X
but no one knows Y.
Rescue
In fourth period
when one of the aides
hands a pass
to Mr. Nguyen
I know
it’s for me.
But there are no
heart palpitations
or sweaty palms.
Instead,
I try to hide
my smile
as I pack my things